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| Behind
The Scenes |
Welcome
to Dj FM Behind the Scenes, where you can learn how and why
Dj FM + The FM Initiative do what they do, from recording to
practice to live performances and more!
This episode: how did Dj FM's debut EP "breakup" come
to be? We tell you the story from beginning to end....with some
RealAudio samples and *.mp3 files thrown in for good measure!
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| The
Making of "breakup" |
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For
Dj FM, "breakup" began several years ago. "I
initially pondered doing a solo project when I was in iscream (or S.G.O., as the group came to be known later). I had just
written 'Valley,' and decided to present it to the band. So
I recorded it on my 4-track, attempting to get it to sound
like a "band" rather than just one person. However, I was
listening to a lot of Nine Inch Nails at the time, so the
original instrumental sounded very industrial. Once Chris
and the other guys got ahold of it, it took on a very Pink
Floyd kind of feel. The version that is on the CD is truly
what I had envisioned it being. I wrote it my sophomore year
in college and am still amazed to this day the diversity of
reactions it has gotten from critics and fans alike. For me,
the music says, 'that was a difficult time,' but the drum
breaks say 'you can move forward.'"
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LISTEN
TO VALLEY
VALLEY (30-second
CD quality *.mp3 download) |
The
next two songs, "Dreamstate" and "Baranquilla," would not
come along for another two years. "When I actually entered
the recording studio, 'Dreamstate' was the first song I began.
My inspiration came from an answering machine message my friend
Jason ("The Avenga," drummer for the FM Initiative and former
drummer for S.G.O.) had left, in which he says, "Are you in
Never-Never Land again?." Then the music just started to flow
and I wanted to commit it to tape while it was still relatively
fresh in my mind.
'Baranquilla'
was actually derived from a song I'd written earlier, 'Finale,'
which I put on my first demo 'The Final Movement'
'Finale' was based around a 4-bar drum loop I had sourced
from some Brazillian music, and was definetly more ambient
than danceable. I then played the sample at a higher pitch,
which of course increased the tempo. I was inspired and the
guitar melody came into my head within five minutes. I based
the lyrics around my experiences in South America" - Baranquilla is the name of a city off the coast of Colombia, S.A. - "and
got my friend Elizabeth to translate them into Spanish for
me. She then got to do the vocals as well."
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LISTEN
TO BARANQUILLA
BARANQUILLA (30-second
CD quality *.mp3 download) |
After
that, Jon wrote "Escape," his first foray into drum & bass,
and "Proton Girl," a song about one of his experiences at
a rave.
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LISTEN
TO PROTON GIRL
PROTON GIRL (30-second
CD quality *.mp3 download) |
By
the time Jon had finished "Proton Girl," the album was beginning
to take shape. A sixth track, "Ella" (the Spanish pronoun
meaning "her"), was recorded towards the end of the project,
as was the introduction track. "'Ella' was written in the
Winter of '96, after I had gone out for coffee with a good
friend of mine. She and I have fallen out of touch since then,
but the song remains. In fact Tom, my producer, has taken
the music to Ella since the album was released and applied
his own lyrics to it - my guess is that he will release it
on the new Psycho Pomp demo when it's complete." (The
first Psycho Pomp EP, "Pirouette," was a collaboration between
Producer Thomas Mohbat, Dj FM and Kyler England).
As
it turns out, pulling together the funds to record the album,
and the actual recording process itself were much easier than
what was to come. "I thought I was through spending the 'big
bucks' after Tom and I wrapped-up production, but of course
mastering follows, then creating and printing the artwork,
making the films, and then pressing the CD. It's never something
you can budget for - you anticipate costs, call up the people
and get quotes, and then a week later something changes and
it's all out the window. I had intended to release the CD
in March of 1998, but of course my car decided to start giving
me problems and that pushed things back a month. I can only
thank the people that have held my hand along the way - I
guess ultimately it's all a learning process."
So
what other lessons did Jon learn from all this? "The internet
is an amazing resource for information, and an incredible
way to make contacts. If you're an independent musician, I'd
say that the internet is where you should be spending most
of your time. There are literally thousands of labels with
web sites, and I promise you that if you send emails to them
which are brief and to-the-point, you will get responses!
My #1 Rule of Thumb: never allow anyone to do for you what
you should already be able to do for yourself. There are plenty
of companies out there charging hundreds (if not thousands)
of dollars for services that will supposedly "give you an
edge." Do it yourself, learn the business side as well as
the music side, and in the long run you'll be better off."
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